Tag Archives: Nimrat Kaur

Film Review: Sajini Shinde Ka Viral Video (2023)

STORY

Sajini Shinde belongs to a traditional and conservative Marathi family from Ahmednagar. By profession, she is a Physics teacher at a reputed school in Pune. She has found a man, Siddhant, for an arranged marriage through a dating app. With her priorities in life placed in order, one big mistake ruins her forever when her colleagues insist to get drunk and enjoy her birthday party wild. All the mobiles come out to capture her moment and the video goes viral all over the social media. Her video reaches the school administration, young students, the society, and her family. She is shamed and expelled from the school. The family as well as her soon-to-be husband Siddhant are furious. Besides a couple of feminists, she has no support. And one day, she disappears.


REVIEW

Sajini Shinde Ka Viral Video” is really the title of the film. Reminds me of Saeed Akhtar Mirza‘s films that used to have long titles. Coming back to my assessment, this is a mystery film where two inspectors Bela and Ram investigate the disappearance and get stuck in the complexity of the case. The film grows so intense into the second half, that most of the characters begin to look like involved in kidnapping or killing her. Every arc gives a different and genuine understanding.

I was absolutely sold to the core of the story followed by a marvellous continuity. Because, let me tell you something, in the presentation of a story and between the lines of the continuity, the viewers must always keep themselves open for a broader theory of what that film wants you to sink into. Generally, the film is about the whereabouts of Sajini but moreover, from where I am looking at is a broader picture, that the film is about things that led to Sajini’s disappearance.

This film has made me listen to possibly the best dialogues written for any film of 2023. One of the parents asks the principal if she will send her daughter to a school where a teacher does a sandwich dance between two naked men in a foreign country. I’m afraid she has a point and almost every parent will question about their children’s future. And then there is Sajini’s colleague Shraddha who complains that the fun is acceptable if you are a film star but crime for a school teacher.

Was it even Sajini’s call? She wasn’t eager to get drunk. It was Shraddha who convinced her to enjoy it like that and also was she who uploaded her dancing video by mistake. We can throw the blame on Sajini’s guy who asked her to get modern. Didn’t he know his woman’s definition of being modern would come out of a book? Or was Sajini from a small town, who was trying to fit in and get accepted in modern ambitions, really that dumb to not understand what he approved her about enjoying?

Do you get my point? I am not playing with your mind but informing you that this is a thought-provoking story that is not limited to her disappearance but is too large for assessment. I can write at least 25 pages about what I have watched and how and why is the message of the film so important for all of us.

Almost every character was developed. The film had a lot to offer. There was dark humor, the continuity had pace, and the suspense was captivating. The film wasted no time in introducing to the inspectors. And speaking about the supporting characters, the film opposes obviousness and gives a more realistic portrayal. Sajini confesses that she loved Siddhant. But Siddhant was not a good guy at all. He was a sore loser who had a bad past with other women. And even after Sajini disappeared, his personality was questionable. And I really liked that in such a scenario, the writer and director of a Bollywood film chose to show that the ideal man of the leading character is not quintessential. Yes, there is every possibility that the chosen portfolio is not the right person.

Radhika Madan as Sajini was outstanding but unfortunately, the story didn’t allow her character to spend much time in the film. And by this thought, I bethink that this story had every potential to transform into a limited series. You can easily stretch it to six or eight episodes and give more breathing to some promising characters like colleague Shraddha, principal Kalyani, and brother Aakash, and run Sajini’s important life events in it. Radhika did a superb impression of a small-town simple-minded girl giving such a raw-scale mannerism while meeting her date or speaking with people. Notice when she doesn’t find Siddhant’s heist joke funny and hides her discomfort in her smile.


CLOSING REMARKS

Although, the film somehow met with a fair conclusion with Inspector Bela delivering a very important message. But from an artistic angle, the film’s final scene should have been Sajini’s video message. With that, the film would have served the purpose. Also, this suggested ending would have hit hard on the audience.

I believe “Sajini Shinde Ka Viral Video” is a spectacular debate about freedom and its social conflicts. This film is where liberty questions slavery and selfishness become self-esteem. Everyone performed at an average scale but Nimrat Kaur as Inspector Bela deserves the praise. The direction of Mikhil Musale, and dialogues, and screenplay are the biggest pluses.

Food for thought. Can a woman have her own choice of freedom? Why? Why not? But which one? Good freedom or bad freedom? What is that? Can freedom be bad? And who will decide if that freedom is good or bad? We the society? Or you, the seeker of freedom? Can a woman distinguish good freedom or bad freedom? Hold on a second. can a woman even distinguish what is good or bad? If she can, why are people offended? And if she cannot, why do her parents want her to get married?

Does Sajini have the right to enjoy? Must she have gotten drunk and danced? Must she have avoided doing all this in fear of getting caught by a camera in the era of social media? Does being a teacher dissuade her from all this? If you are thinking about, when will I finish my review then my dear readers, my series of questions will never end because this is all about a woman, and that too, is in trouble. So where does the problem really lie? The problem lies in our minds.

RATING 8.2/10


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Film Review: Dasvi (2022)

Ganga Ram Chaudhary (Abhishek Bachchan) is an uneducated politician and Chief Minister of his state who is imprisoned for a scam. His arrogancy leads to weakening his rank in his party especially after he appoints his wife Bimla Devi acting CM. During his time in prison, he pretends to earn his right to complete his education as an excuse to avoid labor work. But after reading a few history pages, he develops an interest. With time, he realizes that completing education is the key to succeeding in elections by building optimism through individual development.

Dasvi is like Sardar Ka Grandson, a thoughtful and impressive story but weak execution. But the difference is that the former had better comic timing and applied sensitivity in humor quite well in the middle whereas the latter had no decency to push for an emotional tale by applying extremely forced humor.

Secondly, Dasvi also looks to reimagine the Munnabhai duology but calling it copied from the latter will be incorrect because the director tried to separate the elements of the Munnabhai series in Dasvi. There is a glimpse of matching the plotline but both films run in different parallels.

Yes, Dasvi is an exaggerated comedy but the film can be qualified as a political satire. Abhishek Bachchan, who I believe has begun his second inning from Manmarziyaan and has been selective in picking films and roles, has found the momentum in Dasvi where the audience will accept him and give him another chance. He has always been a good actor but his past choices and being compared to his father ridiculed his career. But this is the first time I feel that like many actors in the past few years, Abhishek is building a repo and may come out of being underrated for more than a decade.

Although, Abhishek’s performance in Dasvi wasn’t really as impressive as he has performed like this in the past. But if someone has watched him in a lot of films, will observe that in the past films he didn’t have the confidence to act nor did most of the directors try to dig his hidden artistry. But now, he is a learned actor making rounds.

But more than Abhishek, Nimrat Kaur is the winner here. Her character development was impressive. Her transition from a clueless and illiterate housewife becoming an interim CM to a refined one was splendid. Also, I must mention Yami Gautam‘s supporting role. Looks like she is getting serious about playing character roles.

Dasvi deserved a better script to do justice to the story.

RATINGS: 4/10