Tag Archives: Pulitzer Prize

Film Reviews

TV Review: All the Light We Cannot See (2023)

STORY

During the final phase of the great war, when the French wait for the American troops to defeat the Nazis, a blind French girl waits for her father to return from his mission.

INTRODUCTION

‘All The Light We Cannot See‘ is a Netflix limited series consisting of four episodes. The series is based on Anthony Doerr‘s Pulitzer Prize-winning novel of the same name. The story is set in a time when the Nazis invaded France and the only optimism that was left against those evils were the French resistance.

The show is centered around two teenagers. One is this blind French girl Marie-Laure LeBlanc who along with her father Daniel and her great-uncle Etienne are part of that resistance.

The other teenager is a German boy Werner Pfennig. An orphan who has an exceptional skill for repairing radios and helps him admit in a military school that turns him into a Nazi soldier.

IMPRESSIONS

The reason for watching this show are many. One reason is that this teleplay is developed by Steven Knight, the creator of Peaky Blinders. The whole series is directed by Shawn Levy, one of the makers of ‘Stranger Things‘. And personally the world war themed projects have been very compelling for my consideration. Plus Mark Ruffalo and Hugh Laurie are in the supporting roles, and they are very choosy in their careers.

THE NEWCOMER

And then this beautiful girl who plays the blind French girl was the light of the show that we all can see. The bts about this actress Aria Mia Loberti is that she was one of the thousands who had auditioned for this role and she was selected in the first try. The most interesting point about Aria playing a blind French girl is that she in real life has a rare genetic condition called ‘Achromatopsia‘ that makes her legally blind.

Although the performance of a blind by a blind can be a piece of cake but that is certainly not the case. If acting was so simple and easy, would have never been considered to be taught or act as a profession. Not only did she fit in the character but the sentimental and psychological aspects in the anatomy of the character were sublime. Aria is an extraordinary addition in this line of work and I would like to see her acting in future projects if there are.

Those of you who are Bollywood buff like me, can you agree with me that Aria Mia Loberti has an uncanny resemblance with actress Mithila Palkar?

THE HARDEST REMINDER

‘All The Light We Cannot See’ is a fictional tale of relations that are tested with time fighting against the injustice and struggling to create a society of resistance that stands for their land against the invaders. That reminds me of something very similar to what is exactly happening in Gaza. I am not dragging the matter but this show has been released at the most perfect time to make all the Netflixters assume how and why the resistance becomes necessary.

When you are stripped of every known human right and are targeted to be beaten, bombed, and killed for demanding what is your’s, a series like ‘All The Light We Cannot See’ helps you to realize and come out of denial. So this series, with all its loyalty with the book’s plot line, is a blessing to correct your observation about a situation.

RELATIONSHIP DETAILING

I liked the detailing of Marie’s relation with her father and then great-uncle that presses on the finity of the time that is passing without alarming them when their world is going to be collapsed. It is very natural depiction about how Marie and Etienne find common grounds, and Etienne’s insecurity melts by her encouragement. It was so touching when father Daniel tells the Nazi that his daughter’s blindness is not a misfortune but a blessing.

Another reason why I rate Marie’s character highly is because of the character detailing about her intelligence that naturally comes from blindness. Her reading the book, sense of touching, and listening the objects were well covered.

The sibling-hood of Werner and his sister were also carefully written with so much emotions involved. It was so touching when she listens to her brother on the radio.

MINUSES

Without a doubt, the series is impressive overall. But I have some issues to address about the show that I didn’t find it right at all.

The one is that I sense that four episodes were not enough to wrap up the story. Only the readers of that novel can better judge my opinion. I haven’t read the novel but I found out that the novel has over 500 pages. So I reckon four episodes certainly are ignoring a lot of details from the book. And it looks very clear when you are in the middle of the third episode until the end of the show. The development in the continuity looks dragged. Steven Knight must have offered at least 6 episodes if not 8.

The other issue is the most annoying one. The entertainment industry has become a global village more than ever. With so much diversity and cultural exchange involved, it is time to embrace that the character of a particular nationality should speak their language to maintain commonsense and realism. Because it was bizarre to see all the non-American/non-British characters were speaking English. Marie, Daniel, and Etienne are a French family and to my utter shock, they neither sound French nor they pronounce the English vocabulary in French. It is completely okay if a non-French plays a French, this is where the performance is tested. But why are you not acting in French?

CLOSING REMARKS

Besides, the technical aspects are likeable. I must praise such compelling production design that made us love this place called Saint-Malo. Editing the screenplay becomes more challenging when the project is presented in a nonlinear narrative. And with countless reminders of the past blended with the present, I say it was superb effort in editing. The ending part was pretty predictable and quite typical.

‘All The Light We Cannot See’ is a massive win for Aria Mia Loberti and an unintentional political message that holds distinction. The show looks visually attractive that covers the unwanted mediocrity. With stereotypical portrayal of Nazis and not much favor done by the writing, I feel the show, despite being in the faithful hands, could have been executed much better.

RATING 6/10

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Film Reviews

Film Review: The Tender Bar (2021)

The Tender Bar is a kind of film that has thoughtful elements of good and bad choices, regrets and lucks, learning and yearning, and goes deep to understand why life always entreats you to move on. This film is a subtle approach for a coming-of-age film to fix the equation of a generational attitude towards learning. With a credible narration, remarkable scenes, powerful dialogues, and an astonishing screenplay by William Monahan, The Tender Bar beautifully reflects on our own life and somewhere do we see ourselves there and agreeing with most of the points most of the major characters speak.

The Tender Bar also reflects on a disturbing childhood and we all audience can relate to the incidents happening in the film. The detailing of this film is done with meticulous care, even the shorter portions have your memories boxed somewhere like the elders smoking or using curse words in front of a child, grandpa farting, parents threatening, mama persuading to join the ranks of a certain institution, a conversation with a fellow passenger on the train, etc.

The Tender Bar bites to harsh realities and also hints you to some people who will always be truly yours, your guide, a parental figure under whose guidance you learn a lot of deal. The film is about accomplishing your targets, fulfilling your dreams, falling in love for the first time. The film is about keeping your mom happy after what she has been through.

The technicalities of this film are just excellent. Brilliant direction by George Clooney and he must get the deserving nomination for the Best Director in the Oscar, really fitting soundtracks, and magnificent performances by Lily Rabe, Tye Sheridan, and Ben Affleck. The latter definitely deserves a nomination for Best Supporting Actor. Good to see Ben Affleck back in shape.

The Tender Bar is based on Pulitzer Prize-winning writer J. R. Moehringer‘s memoir of the same name easily the best coming-of-age film I have watched since Call Me By Your Name.

Ratings: 8.7/10

Film Reviews

Film Review: Fences (2016)

Fences was a play written by August Wilson back in 1983 which, years later, won Pulitzer Prize for Drama. In 2010, Kenny Leon directed the broadway based on the book with Denzel Washington and Viola Davis as the leading cast. The book became a source of cinematic adaptation with the very same actors repeating their roles.
 
The film is set in Pittsburgh of the 1950s. It is about a man who wanted to become a baseball player when he was young but couldn’t due to his color. So now he discourages his son to follow the same path.
Fences will be remembered amongst one of the most brilliant films with the most ordinary story. There is simply nothing special or new in the story to watch. What makes this film look great and worth watching is due to almost all the technical aspects besides the story. A gritty drama directed by Denzel Washington and magnificent performances by himself as Troy and Viola Davis as his wife, Rose. I fail to understand why wasn’t Viola nominated in the Oscar for this film in the leading role rather than supporting role. But wherever is she nominated, she is the showstopper.
 
This is my first experience to watch Viola in a well-defined role as her role was pretty short as Amanda Waller in Suicide Squad, plus I have never watched her in How To Get Away With Murder. What is top-notch about her role in the film is her ‘Hurt’ aspect as Troy’s wife. Soon when Denzel reveals some news to her shock, she is different than you have been watching her in the first half of the film. She then drops your jaws and till she has expressed her severe melancholy to her husband, your eyes are about to get wet. She makes you feel what hurts and disappoints her as a loyal wife and a mother. In short, a stupendous accomplishment.

 
Denzel/Viola onscreen chemistry as the old couples is phenomenal. They share few outstanding scenes, an even father-son rigid relation is a stunning sketch which grows your nerves. Besides them, all the actors involved maintains a rich display of supporting characters which make you sit and watch. Like Troy’s brother, Gabriel (Mykelti Williamson) is at a corner but a very attention-seeking character who is mentally unfit and often gets in trouble in the neighborhood. Then both the sons of the Troy are entirely different individuals who have a few verbal exchange and disturbed relation with father due to choosing different careers which father Troy never wished. Troy’s friend Bono (Stephen Henderson) has a different command, a loyal friend who understands Troy’s stance towards his wife and kids, and ideology to life. Denzel as the director is supreme in character detailing. The placement of all the characters is perfect.
 
Fences without violence is a brutal violence in silence. Your ears will listen to the whispers, the cries behind a failed state of an honest individual who roared only when his color became an unbegged penny. A sublime sad film.
Ratings: 8/10
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