Tag Archives: Rajpal Yadav

Film Review: Ardh (2022)

STORY

In order to feed his wife and a kid, a struggling theatre actor Shiva impersonates as a transgender and begs on the street but sticks with his aim to break into the film industry and get a mainstream role but suffers setback after setback.


REVIEW

Ardh is a ZEE5 and visibly a pretty low-budget film where the heart and soul of the plot are in the right direction as well as Rajpal Yadav‘s performance. Sadly, nothing else does a favor to the film.

The film emphasizes on Mumbai being a city of dreams that either comes true or gets broken. Shiva is one of those millions of poor individuals who wants to become an actor in the film industry. Luckily, he is a theater actor but the theater is shut down due to lack of attendance. In the screenplay, the film addresses the struggling actors suffering from nepotism and the humiliation that the actors face during their hard time in the auditions like the staff assuming if the actor was actually a water boy or a cleaner as well as denying him a chance because of his short height.

In the middle of the film, Shiva in his transgender get up is paid by an interviewee on the bus stop and is asked to pray for him. That gives an idea to Shiva to earn money by disguising himself and begging on the street. In the last phase, a rickshaw driver offers him for sex to which he refuses. I actually guessed that after failing all his chances, the film will conclude on Shiva eventually giving up on acting and settling his mind to sell his body as a transgender sex worker. This could have been one of the most tragic conclusions of any Bollywood films in recent years. But like I said before in many film reviews, Bollywood don’t know how to give a technically fitting conclusion to most of the films at all.

Not sure if the director Palash Muchhal did this on purpose but my brother Wasey noted something interesting that I didn’t. He noted that while Shiva struggles to get the role, Sonu Nigam sings the male version of the track ‘Zindagi’. By the end of the film, when Shiva gives up and reaches to his usual begging routine as a transgender, ‘Zindagi’ is now sung by Rekha Bhardwaj hence convincing the audience that the change in voice from a man to a woman is the indication that his fate has permanently turned into becoming a beggar as a transgender. Only the director can confirm if this theory is accurate but I find the theory pretty interesting for a film that stood low profile on the aesthetics.


CLOSING REMARKS

I am unsure why the film was not decently financed despite being a ZEE5 exclusive. The plot was promising but the entire execution and the direction were sub-standard. There is no life in performances, Rajpal looks like a lonely bread and butter of the film. Yes, I know Rajpal Yadav in the lead cannot guarantee a box-office success. That is not how this industry works at all. But the film also does not deserves to be produced at a low scale. ZEE5 could have done some favor with a very good plot and a struggling screenplay but didn’t.

RATING 3/10


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Film Review: Bhool Bhulaiyaa 2 (2022)

Reet Thakur (Kiara Advani) along with another traveler Ruhaan Randhawa (Karthik Aaryan) travels to her hometown to marry her fiancée when she discovers that her sister loves him. Unwilling to marry, Reet plots to get her sister married to him by faking her death. When the family gets suspicious of her being alive in the mansion, Ruhaan covers her identity by giving a false idea that he has the ability to see the unseen that coincides with the reappearance of Manjulika’s spirit that was imprisoned in one of the rooms of the mansion for eighteen years.

The first thing that the audience must understand is that Bhool Bhulaiyaa 2 is not the continuity from Priyadarshan‘s Bhool Bhulaiyaa, the 2007 big hit that achieved cult status. Nor the film needs to be compared with it. There are a lot of emotions the fans attached to the original work due to the memorable roles of Akshay Kumar and Vidya Balan, Priyadarshan’s typical comedy, and Pritam‘s music, especially the title song.

Akshay’s role going to Karthik also raised eyebrows including mine because I felt it was too risky to hand over this role. The role was made for Akshay and vice versa. Not sure if any other actor would have done justice. The only similarity in the casting was Rajpal Yadav‘s memorable role of Chhote Pandit played again.

Bhool Bhulaiyaa 2 is the reimagining of the original story with some smart elements in writing that makes bring back Manjulika but I think the writer fails to conclude the story for preferring to sensationalize the climax. Some portions of humor were silly and lame but some were funny. Karthik did a fair job in his capacity but nowhere close to what Akshay did. That element was badly missing.

The wisest decision in making this film was signing Tabu for Manjulika, a role that Vidya perfected in the previous film and gave her her first shot at recognition as a promising actress that later on shaped a wonderful acting career. Who else could have played this difficult role other than Tabu? Tabu is senior to Vidya in age and career so I was concerned about the character’s strength and body language but I later realized that this is a different Manjulika. And I must pause my review and express that I was hypnotized at Tabu. She looked so young and beautiful for a 51-year-old actress. And unsurprisingly an excellent performance.

Was the second part necessary? I think it is not about the need. There is no harm if the director reimagines the whole story to go in a different direction. If I do not assume this film to have any respective link with the previous film, it may look acceptable to some extent. For me, this film keeps reminding me of the former which is a sentimental form of judging the current film. Bhool Bhulaiyaa 2 is an entertainer and this is what clicking here.

RATINGS: 6/10


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