Tag Archives: Ray Romano

TV Review: Comedians in Cars Getting Coffee

Comedians in Cars Getting Coffee (CCGC) was Jerry Seinfeld‘s talk show on the streaming service, Crackle, and later on Netflix. The aim of the show was for Jerry to pick up some celebrities (mostly comedians) in vintage cars, drive with each of them to numerous roads, check in some restaurants, sip coffee together, talk about comedy, friendship, life, and many things, and call it a day by dropping off to their residence.

I say that this was a unique format for hosting a talk show. You do not have to sit your ass in a studio and speak to your host. Instead, enjoy one fine evening with Jerry in some classic car, roaming the streets, eating and drinking somewhere, and informally chatting your heart out.

I am unsure if there has been a similar concept in the past. The closest I recall is Robert Llewellyn‘s Carpool which began three years before CCGC. Jerry was unaware of the show but apologized to Robert on Twitter for not knowing about it after CCGC was finished.

Jerry stated that he met a lot of people through this show whom he never met before and are now friends. Isn’t that a wonderful thing? Two strangers from the same showbiz talking about life while driving around, eating and drinking together, and during all this, finding common grounds in what they stand for, which eventually befriends them. Although, CCGC is a rich show with well-known people spending their time together in some expensive hotels or restaurants eating and drinking a lot. But I just imagine, what if we common people try to find common grounds and casually hang around for an evening? Will this not be a quality moment of our lives to live with?

I take this show a lot personally with an understanding that there are moments in my life that I have spent and like to spend with a particular friend in my or their cars and do exactly what Jerry and his friends did. The format of the show is fresh to me and we all can relate to that. Because there is no narrative, there is no fake exchange of mood for overdramatic and commercial appeal. Because this is what this show is about – spending quality time with someone and talking about life.

Jerry’s questions about habits, moods, aims, behaviors, and manners; his questions are very human. And then Jerry and his friends discuss these things in the car or in some restaurants at length. And makes the audience realize that this kind of communication is badly missing. We really do not point out a certain matter and speak it to a friend unless that has something to do with them.

Jerry had his fair share of celebrities to hang around with. Some were A-list comedians like Jim Carrey, Will Ferrell, Ricky Gervais, Chris Rock, Dave Chappelle, Kevin Hart, Steve Martin, Martin Short, some classic-era biggies like Jerry Lewis, Carl Reiner, Mel Brooks, and Don Rickles, and there were some with limited success. Yes, each of Seinfeld’s majors showed up.

It is hard to pick which was the best of all episodes because many of Jerry’s meetings had a particular room of enjoyment. Although Jerry is done with CCGC, I feel even after 11 seasons and 84 episodes, he could have invited a lot of celebrities. I feel celebrities like Steve Carell, Billy Crystal, Kelsey Grammer, Ray Romano, Wayne Knight, Woody Allen, Ed O’Neill, Amy Poehler, and many more would have made a terrific meeting with Jerry.

Why CCGC is so distinctive is because we all see ourselves in them when well-known people hang around and speak like us. And makes us believe that showbiz biggies are us who recovered from difficult paths and pushed their luck from sad stories and earned their way. All we need is an inspiring story that can motivate us after listening to or watching them speak about their struggles.


SUBSCRIBE TO MY YOUTUBE CHANNEL AND WATCH MY VIDEO FILM REVIEW HERE


FOLLOW ‘THE DARK KNAIK’ ON OTHER SOCIAL PLATFORMS

TIKTOK  https://www.tiktok.com/@thedarkknaik
FACEBOOK https://www.facebook.com/thedarkknaik
INSTAGRAM https://www.instagram.com/thedarkknaik/

TWITTER

Film Review: The Irishman (2019)

The Irishman is about the rise of hitman Frank Sheeran who first joined the infamous Pennsylvania crime family of the Bufalinos and then worked for a powerful union activist, Jimmy Hoffa.

I am mesmerized to the directional greatness of Martin Scorsese whose crime drama detailing lost not an inch of fascination. The Irishman is remarkably constructed in the very same crime tone as Scorsese’s previous unforgettable crime works like Mean Streets, Goodfellas, Casino, etc. I am impressed by how can any director maintain the same aura of directional artistry for more than 5 decades. The Irishman is a ridiculously superior crime saga of around 3 hours and 29 minutes.


It is not the hype of this hugely awaited film for which I am excited, it is the brilliance of the filmmaking, narration, production designing blended with rich performances by the stellar casting and spectacular action sequences which have impressed me.

Another aspect worth mentioning is Scorsese’s careful use of onscreen chemistries. I am talking about two of the most talking pairs of the film; Robert de Niro with Joe Pesci and with Al Pacino. Sad to see Joe Pesci gone slow and less angry due to old age but each of his screentime was worth and displayed a memorable performance.

Jimmy Hoffa (Al Pacino) and Frank Sheeran (Robert De Niro) debate Hoffa’s next move. © 2019 Netlfix US, LLC. All rights reserved.

But with de Niro’s splendid performance in years, I will say it was Al Pacino’s magnificent supporting role equating with de Niro’s leading character. Al Pacino as Jimmy Hoffa was a talking point in the entire middle part of the film. Scorsese fixed them together in the most suitable screen minutes and heavy dramatic moments of the final hour. Every sensible viewer will enjoy their chemistry, especially in the final hour.


Harvey Keitel and Bobby Cannavale were decent in pretty short roles, Ray Romano as Bill Bufalino and Stephen Graham as Tony Pro played very good supporting roles.

Hoffa’s political adversity highlighted some political tensions between Kennedy and Nixon eras. Some of the most notorious crime families were also depicted like Genovese, Philly, Gambino, and Colombo.

The Irishman is a phenomenal film. The final 30 minutes will drop you, break you and wreck you. There is no aspect that doesn’t impress you. In my opinion, the film deserves the Oscar nominations for the best picture, director, actor (de Niro), supporting actor (Pacino), editing, production design, and cinematography at least. Maybe also for the adapted screenplay which I have read to be very precise, for a few I have doubts which I don’t like to ponder here.

Overall, The Irishman is one of Martin Scorsese’s finest works, easily one of the greatest crime films, one of de Niro and Pacino’s most memorable roles of their careers.

Mandatory Credit: Photo by Evan Agostini/Invision/AP/Shutterstock (10428524co)
Joe Pesci, Al Pacino, Martin Scorsese, Robert De Niro, Harvey Keitel. Actor Joe Pesci, left, actor Al Pacino, director Martin Scorsese, actor Robert De Niro and actor Harvey Keitel pose together at the world premiere of “The Irishman” at Alice Tully Hall during the opening night of the 57th New York Film Festival, in New York
2019 NYFF – “The Irishman” World Premiere, New York, USA – 27 Sep 2019 

Ratings: 9.3/10